Books on the artist
Graham Coulter-Smith, Christina Davidson, Graham Forsyth, foreword by Leon Parossian, John Young: Silhouettes and Polychromes, 1993, Schwartz City Publications, Melbourne

John Clark, Peter Hutchings, introduction by Melissa Chiu and foreword by Frances Lindsay John Young: The Double Ground Paintings, 1995, Australian Art Promotions, Sydney.


By the artist
"David Strachan: Two women in a landscape" Artist's Choice, Art and Australia, September 1998

"Cross-Currents in Contemporary Australian Art", the Guggenheim Circle, New York, 1995

"The Avant-Garde:- The Logic of Bureaucratization in Contemporary Austral-Asian Art" paper delivered at Austral-Constellations Conference, The Department of Comparative Literature, University of Hong Kong, 1994

"Recollections" in One Painting, Cleaving, published by Wollongong City Gallery, Autumn, 1990

"Murmur of the Soul", guest editor, Tension #9, Melbourne, 1986

"On Some Alternatives to the Code in the Age of Hyperreality, the Hermit and the City Dweller", Art & Text, #2, 1981 (with Terry Blake)


By writers
Carolyn Barns, 'John Young: Working Back In: The Grid Within The Grid', Eyeline, #17, Brisbane, 1992

Rex Butler, 'The Art of The Third Man" in Objective Gesture, John Young, Selected Works 1986-1987, Sydney 1987 (with Keith Broadfoot)

- 'Lost In The Mix; The General and the Particular in the Works of John Young', Art and Australia, Summer, Sydney, 1993

- 'Two Castigliones', Paradigm Fountain catalogue, Sherman Galleries Goodhope, Sydney 1996

John Clark, 'Swimming In The Transcultural Sea: John Young', Asia Art News, vol. 4 no. 3, Hong Kong, 1994

- 'John Young: The Position Of The Transcultural-
An End To Hyphenation?' In Antipodean Currents catalogue, The Kennedy Centre, Washington D.C., 1994

- 'Dilemmas of (Dis-)attachment in the Chinese Diaspora', Visual Arts and Culture: An International Journal of Contemporary Art, vol. 1, 1998

Ben Curnow, 'Paradigm Fountain' in Art Asia Pacific, Spring, 1996, Sydney

Andrew Frost, 'John Young: Ghost in the Shell', Australian Art Collector, September, 1998

Eleanor Heartney, 'Antipodean Undercurrents: An American Perspective', in Antipodean Currents, catalogue, The Kennedy Center, Washington D.C. October 1994

Peter Hutchings, 'Between a Rock and a Hybrid Plane', Australian Perspecta '95, catalogue, Art Gallery of New South Wales, Sydney, 1995

Natalie King, 'Sequences from Heaven and Matteo Ricci in Goa', Art AsiaPacific #22, pp. 90, 1999, Sydney

Catharine Lumby, 'A Sudden Rush of Devotion', Artscribe, London, Winter 1989

Chris McAuliffe, 'John Young's Thirst', Art & Text, #47, Sydney, January 1994

Imants Tillers, 'Fear Of Texture', Art & Text, #10, Melbourne 1983


Selected Collections
Museum of Contemporary Art, Sydney

Art Gallery of Western Australia, Perth

National Gallery of Victoria, Melbourne

Art Gallery of New South Wales, Sydney

Queensland Art Gallery, Brisbane

The National Museum of Contemporary Art, Seoul, Korea

The Ian Potter Musuem of Art, The University of Melbourne

Victor and Loti Smorgon Collection, MCA, Sydney

Baillieu Myer Collection of Australian Art of the 80s, Melbourne

Museum of Modern Art at Heide, Melbourne

United Nations Collection, New York

Bank of Chicago, USA

Shell Collection, Sydney

State Bank Collection, Sydney

Hewlett Packard Corporation Collection, Melbourne

Allen, Allen & Hemsley Collection, Sydney

Coopers and Lybrand Collection, Melbourne

Wakayama Hotel Collection, Wakayama,Japan

Wesfarmers, Perth Private collections


Selected Commissions
1996 Coopers and Lybrand, Melbourne

1996-97 Cypress Lakes Resort, Hunter Valley, NSW

1997 Wakayama Hotel, Wakayama, Japan

1998 Atrium, The New Commonwealth Law Courts, Melbourne

1999 Wallpiece, Subway at Azubu, Tokyo, Australian Embassy, Japan

1999 Westin Hotel Atrium, Melbourne

2000 Foyer, Angel Place Building, Sydney

MTR Subway, North Point Hong Kong


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