References

Buchloh, Benjamin (1982) 'Allegorical Procedures: Appropriation and Montage in Contemporary Art', Artforum, September, pp. 43-56

Butler, Rex (1996) What is Appropriation: An Anthology of Critical Writings on Australian Art in the 80s and 90s, Brisbane, Institute of Modern Art and Sydney, Power Publications

Coulter-Smith, Graham (1994) 'Interview with Imants Tillers', audio tape recording, archive: Graham Coulter-Smith, unpublished

Foster, Hal (1985) Recodings: Art, Spectacle, Cultural Politics, Port Townsend, Washington, Bay Press

Krauss, Rosalind (1984) 'A Note on Photography and the Simulacral', October, no. 31, Winter, Cambridge, Massachusetts, pp. 49-68

Owens, Craig (1978) 'Photography en abyme', October, no. 5, Summer, Cambridge, Massachusetts.

Scullion, Michael (1978) 'Dialogue on False Mt Hayward', ZX, no. 2, Sydney, pp. 6-10

Smith, Terry (1974) 'The Provincialism Problem', Artforum, September, New York, pp. 54-59

Tillers, Imants (1973) 'The Beginner's Guide to Oil Painting', Faculty of Architecture, University of Sydney, Sydney

Tillers, Imants (1978) A Companion to Conversations with the Bride, Adelaide, Experimental Art Foundation

Tillers, Imants (1981a) Three Facts, Melbourne, Double Vision, (published as softcover and a signed limited edition of 200 hardcover boxed copies with colour illustrations.)

Tillers, Imants (1981b) 'Tom Roberts-Some Impressions', Art and Australia, no. 3, Autumn, pp. 272-273

Tillers, Imants (1982) 'Locality Fails', Art & Text, no. 6, Winter, Melbourne, pp. 51-60

Tillers, Imants (1998) 'Justice is God's Mountain', in Remanence, exhibition catalogue, curator Maudie Palmer, Melbourne, Melbourne International Festival of the Arts, 34-35.