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Anne Graham Image GalleryPassing Through
Biography
1969 Dip.AD, Manchester Polytechnic
1973 MA, Royal College of Art
1983 Grad. Dip. Ed., Western Australian Institute of Technology
1999 PhD Candidate, RMIT, Melbourne
2001 Professor, Chair of Fine Art, University of Newcastle
Currently lives in Newcastle, NSW

Selected Solo Exhibitions
2001 Grooming and Eating, Sherman Galleries Goodhope, Sydney, NSW
Food & Art, Newcastle Region Art Gallery, 5 May–1 July
2000 The Silk Plaza, The Echigo – Tsumari Art Triennial
Passage, permanent public art work in Martin Place for the City of Sydney Open Museum and Sculpture Walk, Sydney, NSW
1999 People in Glass Houses, Royal Botanic Gardens, Historic Houses Trust, Sydney, NSW
1998 Timepiece, Sculpture Forum, Canberra, ACT
Tunnel Vision, Canberra School of Art Gallery, Canberra, ACT
1997 The Cooling Tower, Museum of Sydney, Historic Houses Trust, Sydney, NSW
The Macleay Women, Elizabeth Bay House, Historic Houses Trust, Sydney, NSW
Transitions, Melbourne Festival, VIC
1996 The Chain of Chambers, for Volt at the Brisbane Festival,Queensland
Off the Rails, Adelaide Festival, curated by Erica Green for the University of Adelaide and Adelaide Festival, SA
1995 Sweat, Roslyn Oxley9 Gallery, Sydney, NSW
Sarashi, The Hinode-Machi residency exhibition at Hinode Gallery, Tokyo, Japan
Steriliser, Experimental Art Foundation, Adelaide, SA
1994 Sweat, street performance, July–September, Manhattan, NY, USA
1993 Through the Glass, Roslyn Oxley9 Gallery, Sydney, NSW
Lap, Artspace, The Gunnery, Woolloomooloo, NSW
Toll, Lewers Bequest and Penrith Regional Art Gallery, Penrith, NSW
1992 Noemata, Performance Space, Sydney, NSW
1991 Anne Graham, Roslyn Oxley9 Gallery, Sydney, NSW
1988 So What, Roslyn Oxley9 Gallery, Sydney, NSW

Selected Group Exhibitions
2001 Patricia Wilson Adams and Anne Graham, School of Fine Art Gallery,
University of Newcastle, NSW, 15 Aug–9 Sept
Relative Values: Common Ground, School of Fine Art Gallery,
University of Newcastle, NSW, 9 May–3 June
Group Exhibition, Sherman Galleries Goodhope, 28 Feb–17 March
7th NICAF: International Contemporary Art Festival, Tokyo
International Forum, Chiyoda-ku, Tokyo, 28 March–1 April
2000 Olympic Theme – Pathways, Maitland City Art Gallery, Maitland
Call & Response, School of Fine Art Gallery, University of Newcastle, Newcastle, NSW
Soft House 1, Installation for the Newcastle Botanical Gardens, Newcastle, NSW
Soft House 2 - Construction and Process, International Artists Museum, Poland
1996 Carburetta Parking, Casula Power House, Liverpool Regional Gallery, Liverpool, NSW
Doing Time, Tamworth Fibre Biennale, Tamworth Regional Gallery, Tamworth, NSW
A Sense of Place, Bede Gallery for Northern Arts, Newcastle, UK
Flagging The Republic, Sherman Galleries Goodhope, Sydney, NSW
The Beggars Banquet, A Progressive Dinner, Performance Space, Sydney, NSW
1995 Doing Time, Seven Histories of Australia, Australian Centre for Contemporary Art
Doing Time, Casula Power House, Liverpool, NSW
Compound Time, Canberra National Sculpture Forum, Canberra, ACT
The Nuns Pool, Viewers and Audiences, Wollongong Regional Gallery, Wollongong, NSW
1994 Working with the Wall, Ivan Dougherty Gallery, University of New South Wales, Sydney, NSW
1993 Hypothetically Public, Lewers Bequest and Penrith Regional Art Gallery, Penrith, NSW
Black, Regional Galleries Touring Exhibition
Fifth Australian Sculpture Triennial, Melbourne, VIC
1992 Working in Public, Public Art Project, Artspace, Sydney, NSW
Transgressions, Australian National Gallery, Canberra, ACT
1991 Dissonance: Aspects of Feminism and Art, The Wharf, Sydney, NSW
1987 The Third Australian Sculpture Triennial, National Gallery of Victoria, Melbourne, VIC
1986 Biennale of Sydney, Pier 2, Sydney, NSW
1984 Wardrobe, Mad Love Gallery, Adelaide, SA
Thin Skin, Performance Space, Sydney, NSW

Selected Awards and Grants
2001 RMC Project Grant, University of Newcastle
2000 NRAG Artist-in-Residence Program, Newcastle Region Art Gallery
2000 NAWIC Award, National Association of Women in Construction Merit Award, awarded to Passage, Martin Place, Sydney, NSW
RMC Conference Travel Scholarship, International Artists Museum, Lodz, Poland
1999 RMC New Staff Grant, for The Mnemonic Function of Objects and Materials as Constructors of Identity, University of Newcastle
Sydney City Sculpture Commission, Passage
1998 Nepean Research Grant to Support Faculty Publications and Visiting Fellowships

Selected Bibliography
Thomas, Martin, ‘The Cooling Tower’, Uncertain Ground: Essays Between Art and Nature, Art Gallery of New South Wales, 2000
Engberg, Julian, ‘Breadline’, Artlink, vol. 19, no. 4, 2000
Dauth, Louise, Site. Parliament House Construction Photography Project, Parliament House, Canberra, 2000
O’Brien, Geraldine, ‘Ghostly Walk in a Misty Metaphor’, Sydney Morning Herald, 12 March 2000
Thomas, Richard, ‘The Bridge, Construction in Progress V1’, International
Artists Museum, Melbourne
Best, Susan, ‘Elemental Constructions: Women Artists and Sculpture in The Expanded Field’, Australian and New Zealand Journal of Art, September 2000
Coucaud, Sally. ‘New Look Martin Place’, City of Sydney Quarterly, Public Affairs Unit, City of Sydney, Town Hall, 2000
Dysart, Dinah, ‘In House Intervention’, Art and Australia, vol. 36, no. 3, 1999
Best, Susan, ‘Art in Other Spaces’, Watch This Space: A Conference on
Public Art,
ed. Debra Malor and Heather Johnson, Australian Journal of Art, Sydney, p. 73, 1999
Best, Susan, ‘Public Art in the Olympic City’, Architecture Australia, September/October, p. 82
Best, Susan, ‘Elemental Constructions: Women and Sculpture in the Expanded Field’, Australian and New Zealand Journal of Art, vol. 1, no. 2

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